Vasil Hadzimanov's sophomore effort for MoonJune Records, "Lines In Sands," puts all of the virtuoso Serbian keyboardist's considerable talents -- as a composer, arranger and player -- on full display. Adeptly synthesizing his ethnic jazz roots with jolting doses of rock, R&B, funk, avant garde, psychedelia, trance, electronica and more, the band step up their game: producing a sparkling, delightfully zealous musical hybrid which transcends categorization. Punctuated by fiery improvisations, tight syncopations and a flowing, organic interplay, Vasil and his fellow maestronistas deliver the goods in this sizzling set. (... even paying homage to the label's founder Leonardo Pavkovic, with the wonderfully crafted second piece, "Mr. MoonJune.") Augmented by performances that are brilliant in substance, conception and cohesiveness, Hadzimanov's keyboard work is both sumptuous and towering, throughout. The resulting product is crisp and dynamic: with a succinct focus, and execution that never lacks for soul, conviction or inventiveness. Thoroughly engaging, this is an essential work for fans of great keyboards, rich textures and adventurous sonic excursions, as well as dense ensemble work. Expounding on the unpretentious, groove-oriented style introduced on their first effort for MJR – 2016's critically heralded, "Alive" (featuring innovative NYC saxman, David Binney) -- "Lines In Sands" has a little bit of everything: a highly ambitious undertaking, witnessing the Balkan legend and band at their most potent and formidable.
About VASIL HADZIMANOV
A name synonymous with Serbian jazz, Vasil Hadzimanov is a contemporary pianist, composer, arranger, and educator whose lineage is intrinsically linked with ethnic Balkan music and cultural heritage. Ever the innovator, Vasil's musical vision and ambitions are complimented by an equally boundless work ethic. Cultivating a passion for jazz and other creative forms of music, while first learning his craft as a budding youth, Vasil eventually found his way to the US -- specifically, Boston: where he attended the Berklee College of Music, graduating in 1995. Shortly thereafter, he returned to his homeland and formed the Vasil Hadzimanov Band: a band which continues to grow in popularity and notoriety -- still playing concerts, clubs and festivals, while having amassed seven critically acclaimed albums during a more than twenty-year run. From their first release, 2001's "11 razloga za...", through 2018's "Lines In Sand," their sound is defined by its sheer ambitious, adventurous nature and stylistic diversity, and multiple elements and influences which greatly eclipse the jazz genre. In addition to the band's catalog, Hadzimanov also recorded a trio album -- 2011's "El Raval," with Martin Gjakonovski on bass and Aleksandar Sekulovski on drums. Aside from VHB, Vasil is also performing with Dusan Jevtovic's No Answer Trio (with Asaf Sirkis), Bojan ZuIlfikarpasic, Trio Sveti (with Marko Djordjevic and Branko Trijic), Toni Kitanovski Trio, Bace Quartet (with Theodosii Spassov, Bachar Khalife and Ace Petrov), Csaba Toth Bagi Balkan Union, ‘Misko Plavi Trio and others. Hadzimanov’s sound is reminiscent of the late, great Austrian master, Joe Zawinul, at times. That influence is often realized, also, stylistically, in his uninhibitied, but tastefully articulated phrasing and passages. A most enterprising, intrepid soul, Vasil has expanded his compositional and performing output to including scoring, directing and performing in numerous movies, documentaries and TV shows in the region. Reflecting a deep respect to his native musical traditions, his style often intertwines genres and subgenres with classic Balkan motifs -- producing music which often defies categorization. His commitment to continually challenging himself and his fellow musicians is reflected in the freshness and vitality which has accompanied any of the numerous projects in which he has directed and/or contributed. Vasil Hadzimanov is a vital musical voice: a maestro performer, accomplished composer and a true, uncompromising torchbearer -- building upon a rich musical pedigree, while shrugging off clichés and expressive limitations.
released January 18, 2019
VASIL HADZIMANOV - keyboards
BRANKO TRIJIC - guitar
MIROSLAV TOVIRAC - bass guitar
BOJAN IVKOVIC - percussion, vocals
PEDJA MILUTINOVIC - drums
with special guests:
RASTKO OBRADOVIC -sax (2, 8)
MARTA HADZIMANOV - lead vocal (4)
DEAN BOWMAN - lead vocal (8)
Recorded by MARKO PERIC at Binta Sound Studio and at German Ambassador's Residence, in Belgrade, Serbia, November 2017.
Produced by MARKO PERIC and VASIL HADZIMANOV.
Executive production NATASHA HADZIMANOV & VASIL HADZIMANOV.
International release on MoonJune executive production by LEONARDO PAVKOVIC for MOONJUNE RECORDS.
Special thanks to Igor & Branka Djuricic, Boran Loncaric, Predrag Ilic, Aleksander Ilic, nenad Kostic, H.E. Axel, Natalie Dittman, Leonardo Pavkovic, Marko Peric, Igor Vincetic, Rastko Obradovic, Dean Bowman, Marta Hadzimanov, Dejan Mandic, Svebor Sakic, Fedja Franklin.
supported by 37 fans who also own “Lines In Sand (HD)”
Mark Wingfield is always recommended listening for fans of Jazz or Fusion guitar (among the names usually dropped you'll find Alan Holdsworth, Terje Rypdal, Pat Metheny). Nevertheless, this isn't just pure Jazz. I seem to hear more traces of progressive rock than in his other recordings, but probably that's just an early impression... Carsten Pieper
supported by 35 fans who also own “Lines In Sand (HD)”
This is the sixth Dewa Budjana album in my collection, and for $5 at a 50% promotion, it's a real steal! Well, I have to admit that I'm a big fan of his early albums, released when he wasn't a star yet, worked with local musicians, and included a fascinating far-east folk feeling in his compositions. The latter is almost completely missing on this most recent album of his, starring part of the who is who of fusion. It's well-done middle-of-the-road fusion most of the time, but alas, nothing exceptional. Even Mohini Dey's technically perfect bass wizardry is not really touching. The highlights are, in fact, both of the songs contributed by John Frusciante, "Crowded" and "Zone". Sven B. Schreiber
supported by 35 fans who also own “Lines In Sand (HD)”
A few years ago, I was quite happy to learn, that a band of former members under the moniker Soft Machine Legacy, well, kept the Soft Machine legacy alive. I liked their last albums very much, but it seems to me, as if (ha) the return to the original name inspired a return to the very old form. Tunes, grooves, atmosphere - all there. And btw, I'm becoming a huge Theo Travis fan ;-) Carsten Pieper